Van Morrison - Its Too Late to Stop Now Vols. II III IV (2016) MP3@320kbps Beolab1700

Van Morrison - Its Too Late to Stop Now Vols. II III IV (2016) [email protected] Beolab1700

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Van Morrison - It's Too Late to Stop Now
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Artist...............: Van Morrison
Album................: It's Too Late to Stop Now
Genre................: Rock
Source...............: CD
Year.................: 2016
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: LAME 3.99
Version..............: MPEG 1 Layer III
Quality..............: Insane, (avg. bitrate: 320kbps)
Channels.............: Joint Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.4
Information..........:

Posted by............: Beolab1700 on 13/06/2016

**thanks to qmat**

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Tracklisting
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Disc: 1
1. Come Running
2. These Dreams of You
3. The Way Young Lovers Do
4. Snow in San Anselmo
5. I Just Want to Make Love to You
6. Bring It on Home to Me
7. Purple Heather
8. Hey, Good Lookin'
9. Bein' Green
10. Brown Eyed Girl
11. Listen to the Lion
12. Hard Nose the Highway
13. Moondance
14. Cyprus Avenue
15. Caravan

Disc: 2
1. I've Been Working
2. There There Child
3. No Way
4. Since I Fell for You
5. Wild Night
6. I Paid the Price
7. Domino
8. Gloria
9. Buona Sera
10. Moonshine Whiskey
11. Ain't Nothing You Can Do
12. Take Your Hand Out of My Pocket
13. Sweet Thing
14. Into the Mystic
15. I Believe to My Soul

Disc: 3
1. Listen to the Lion
2. I Paid the Price
3. Bein' Green
4. Since I Fell for You
5. Into the Mystic
6. Everyone
7. I Believe to My Soul
8. Sweet Thing
9. I Just Want to Make Love to You
10. Wild Children
11. Here Comes the Night
12. Buona Sera
13. Domino
14. Caravan
15. Cyprus Avenue

Disc: 4
1. Here Comes the Night (Live)
2. I Just Want to Make Love to You (Live)
3. Brown Eyed Girl (Live)
4. Moonshine Whiskey (Live)
5. Moondance (Live)
6. Help Me (Live)
7. Domino (Live)
8. Caravan (Live)
9. Cyprus Avenue (Live)

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When Van Morrison‘s double-length It’s Too Late to Stop Now was released in 1974, it was an anomaly. Compiled from eight nights on his 1973 tour with his 11-piece Caledonia Soul Orchestra, it appeared months prior to Hard Nose the Highway.

Contrary to standard industry practice of the time, its contents weren’t doctored in the studio afterwards: There were no added overdubs or masked flubs. Some critics took issue with its sound — claiming the band, particularly the horns, were too thin — but there was no debate about the performances. It remains revered as one of the greatest concert recordings ever.

Sony Legacy has appended the original album by releasing a separate box set that includes three audio discs from those gigs and a live DVD set divided by concert. These are newly issued tracks, containing no overlaps with the original album. Some song selections may be the same, but these are completely different performances. Volume II is drawn from L.A.’s Troubadour in May 1973, Vol. III from Santa Monica Civic Center in June, and Volume IV compiled from two nights in July at London’s Rainbow Theater. Guy Massey’s remix offers stellar sound. There is a lot more balance between horns and strings, more emphasis on piano and lead guitar, while bass and drums are set just behind Morrison’s vocals. Compilation producer Andrew Sandoval took great care in assembling the contents. He provides enough variation in selection with some wonderfully contrasting performances of various tunes, whether they be originals or covers. (Compare the versions of Ray Charles’ “I Believe to My Soul,” Willie Dixon’s “I Just Want to Make Love to You,” “Cypress Avenue,” “Caravan,” and “Domino” with one another.) Night to night, these tunes undergo shifts in vocal syncopation and improvisation, musical dynamic, and even tempo. The version of “I’ve Been Working” included here, a highlight on the original album, is revelatory in displaying the level of spontaneity and intensity Morrison and band were capable of on any given night. From his own catalog, “Brown Eyed Girl,” “Come Running,” and “Snow in San Anselmo,” from Volume II; Volume III’s “I Paid the Price,” “Moonshine Whiskey,” and “Wild Night,” and Volume IV’s “Domino,” “Listen to the Lion,” “Sweet Thing,” and “Wild Children” are all standouts.

This package confirms in spades what Morrison himself always claimed: That he was not a rock singer but a jazz, blues, and R&B one. While most artists from the era were trying to distance themselves from the roots that birthed rock & roll, he was celebrating them — without nostalgia — as living, breathing traditions worthy of deeper exploration and exposition. It’s Too Late to Stop Now…Vols. II, III, IV is an essential document for hardcore Morrison fans.

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